Too Many Cooks Spoil the Books

I’m I’m a serious bind with the sequel to The Watchmage of Old New York, “Cold Iron.” I was talking to my critique group last week and said that I wasn’t getting any useful feedback, or any at all, from them. It’s true. I bring in a chapter, and everyone just says that it’s great, and I know that it’s flawed.

This is going to sound really arrogant…

The problem is that I’m a veteran writer and writer’s coach of almost 20 years (it’s not skill that makes you a good writer as much as practice and experience), and except for one other person that rarely shows up, everyone else is a dabbler. I’ve been part of critique groups and workshops for 25 years. They’ve been part of 1 or 2. They don’t have the experience to see my work’s flaws. Instead of a give and take, I spend all of my energy coaching them through their writing and even giving mini classes–something I usually get paid for. I need to find a group of more experienced writers, but there are none in my area.

In a blatant attempt to get me to stay, the creator of the group edited the whole novel. Sounds great, but I already have an editor. Now I have 3 different edits for the book (from the group, from this guy, and eventually from my actual editor) and I can’t start revising until I have all three and can integrate their ideas.

Worse, the guy from the group thinks I should expand it (it’s already over 80k) when I want to reduce it. It’s very confusing and annoying. Having more than one person critiquing or editing your book at once is bad news. You end up with too many versions of the same piece. I want one editor per draft, and I was getting that. Now I’m getting a headache.

I hoped to get the book out this year, but I’ll be lucky to get it out next (the first Watchmage book came out in November of 2015). It’s only on the 5th draft, and I’d like to do 5 more. I would rather but out a quality book than a fast one, but I’m under a lot of pressure to get that book out. With a series, you need to keep the books coming at a regular basis, or readers will forget what happened in the previous book. As they say, the best promotion is another book.

I’m basically losing any momentum I had, and I didn’t have much to begin with.

I don’t know who’s more arrogant: me for complaining that I wasn’t getting quality feedback, or the guy that decided to edit my whole thing, suddenly thinking that he can give what I asked for when he couldn’t during group.

cosmic-cat-tripping-balls-redux

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